|
|
|
|
|
|
Sandro Botticelli
Madonna and Child and Two Angels
c. 1470 Tempera on panel, 100 x 71 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
Christ in the Sepulchre
c. 1488 Tempera on panel, 21 x 41 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
The Virgin and Child Enthroned
1484 Tempera on panel, 185 x 180 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
Adoration of the Magi
1481-82 Tempera on panel, 70 x 103 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
Three Angels
1475-80 Pen with brown shading on pink prepared paper, 100 x 235 mm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
The Story of Lucretia
1496-1504 Tempera on panel, 83,5 x 180 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
Venus and the Three Graces Presenting Gifts to a Young Woman
c. 1484 Fresco transferred to canvas, 211 x 284 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
A Young Man Being Introduced to the Seven Liberal Arts
c. 1484 Fresco transferred to canvas, 238 x 284 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
St Sixtus II
1481 Fresco, 210 x 80 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
Venus Fodor
mk234
ca 1485-86
175x280cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
Konungarnas worship
mk234
ca.1485-86
175x280cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
la primavera
mk247
c.1478.tempera on poplar,80x123.5 in,203x314 cm,uffizi,florence,ltaly
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
birth of venus
mk247
1482 to 86,tempera on canvas,68x109.5 in,172.5x278.5 cm,uffizi,florence,ltaly
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
st.augustine in the cell
mk247
1490 to 94,tempera on panel,16x10.5 in,41x27 cm ,uffizi,florence,ltaly
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
calumny of apelles
mk247
1494 to 95 ,tempera on wood panel,24.25x35.75 in,61x91 cm,uffizi,florence,ltaly
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
The Birth of Venus
mk250 about the year 1482. Cloth color eggs. About 172.7 x 276.9 cm. Uffizi in Florence.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
Portrait of youth
mk250 Year 80 in the early 15th century. Wood color eggs, 40.6 x 30.5 cm Washington National Gallery.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
Portrait Cosimo old gentleman
the mk261 Florence, the Ukrainian Fiji art museum in 1890 numbered 1488.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
Our Lady of the Annunciation
mk261 Florence, the Ukrainian Fiji art museum, the warehouse numbers 201.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sandro Botticelli
pallade e il centauro
mk261 firenze 1482 ca tempera su tela
cm 207 x148 firenze, galleria degli, inv depositi n 29
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Sandro Botticelli
|
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
|
